Much of my conceptual art work is self-reflective, focusing on the relationship between the camera/photographer and subject; the 'see-er' and the seen. I like to experiment with the idea of the subject and the object, and the juxtaposition between them; searching for visual patterns and equivalents that help to consider the concept of intimacy and distance in portraiture, and of vulnerability in our own space; it can be described as a 'moment you can't enter'